智利多美懸崖邊上的混凝土結構觀景平台-設計風向

也許事物和事物之間唯一的區別在於它們的規模。更接近自然事物的是，在其模糊的尺度上，這個小建築與其說是一個小屋，不如說是一個房子:它是一個小屋。作為一個不透明的塊體，一個巨大的物體被牢牢地固定在懸崖邊緣，它麵對著太平洋上的海獅保護區。在其低尺寸的厚度，在其狹窄和高的比例，建築可以解讀為一個有人居住的牆垂直於自然地形。這堵牆的高度是由兩條線決定的:一條連續的地平線和六個平台的階梯式序列，向大海下降。水平屋頂(具有開放露台的功能)與地麵的常規延伸(非正式的休息、用餐和生活安排)之間的分離，一個不對稱的房間，被三根巨大的柱子和兩座橋梁打斷。床放在上麵的平台上，天花板很低，沙發或桌子應該放在下麵的平台上，在垂直的空間內。

Perhaps the only distinction between objects and things resides in their scale. Closer to any natural thing, in its ambiguous scale, this small building is more than a hut but less than a house: it is a cottage. As an opaque block, a monolithic object heavily anchored at the edge of a cliff, it is facing a sea-lion reserve on the Pacific Ocean. In its under dimensioned thickness, in its narrow and tall proportion, the building could be read as an inhabited wall that runs perpendicular to the natural topography. The height of this wall is determined by two lines: a continuous horizon and a stepped sequence of six platforms that descend towards the sea. The separation between that horizontal roof (with the function of an open terrace) and the regular extension of the ground (with the informal arrangement of rest, dinning and living), a single asymmetrical room, is interrupted by three massive columns and two bridges. While beds are placed in the upper platforms, with low ceiling, sofas or tables are meant to be in the lower platforms, within a vertical space.

在長體量的兩側都有一個謹慎的開口，有一些準時的天窗，一些半月形的穿孔可以用作太陽時鍾，還有一個由圓形柱子分隔的角落窗戶。這是唯一的窗戶與非框架玻璃衝入外部混凝土表麵。在落日的映照下，一塊幾乎不可能的、虛幻的漂浮岩石就坐落在那倒影之上。

There is a discreet regime of openings at either sides of the long volume with some punctual skylights, a few half-moon perforations that could be used as sun clocks and a singular corner window divided by a round pillar. This is the only window with unframed glass flushed to the outer concrete surface. Mirroring the sunset, an almost impossible and illusory floating rock rests right on top of that reflection.