LOFT中國感謝來自 AART一間宅藝術 的裝置藝術項目案例分享:

 

“我希望經過這座雕塑的民眾能從不同的角度觀察到簡約弧線所產生的美感,抽象的造型留給民眾一些想象空間,置身在這個場域,能聯係起海灣,從而產生奇妙的美學體驗。” —— 藝術家胡棟民

“I hope the citizens who pass by this statue could observe the beauty of concise curves in different views. The abstract model leaves imagination space for the citizens. Staying in this area could remind the bay so as to arouse wonderful beauty experience.”  — Artist Hu Tung-min

 

“今人不見古時月,今月曾經照古人。”一千多年前的李白,以月亮與人的關係,表達對於時空場域的哲思。古月與古人,今月與今人,人雖非彼人,月還是月。在過去、今天和未來的時空切換中,總有一個時光的浪子,在時光的跑道上“掉隊”,這個浪子的“掉隊”,讓它一端聯係曆史母體,一端伸向未來想象。

“We cannot see the moon in the old times while the moon shines also in the old times.” More than one thousand years ago, Li Bai expressed the philosophy of time and space through the relationship between the moon and human beings. The ancients and moon in the old times, human beings and the moon nowadays, though human beings are different, the moon remains the same. Within the time and space shift in the past, nowadays and in the future, there is always a time prodigal who “falls behind” on the time path. It links the history matrix with the future imagination.

 

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

 

深圳灣一號麵前的這片海,也是一個時光浪子。早在七十年代末,深圳啟動填海造陸計劃,將這片海岸填成了城市戰略用地,欲打造超級總部基地。這片海,見證了深圳灣濕地的生生不息,承載了城市走向全球的夢想,目睹了這裏一座座高樓拔地而起。幾十年後的今天,這個時光浪子,與深圳灣一號一起,以超級豪宅的名義,讓全球群賢畢至,圈聚各大500強企業總部,一起締造一個無限想象的未來。

The sea in front of One Shenzhen Bay is also a time prodigal. Since the end of the 1970s, Shenzhen has initiated sea reclamation plan, reclaimed the seacoast into the urban strategic land and managed to build the super headquarter base. The sea has testified the development of Shenzhen Bay Wetland, inherited the dream of becoming global and witnessed the constructions of skyscrapers here. After decades, the time prodigal together with One Shenzhen Bay gather the world talents and top 500 enterprise headquarters and create the infinite future in the name of super luxury mansion.

 

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

 

此次藝術品的選址——深圳灣T7寫字樓大堂入口廣場正對東邊,麵朝大海和日光,同時與明珠綠地隔海相望,毗鄰內湖灣公園、紅樹林公園等填海後僅剩的幾塊生態濕地。這裏接收著清晨日落的每一束光,接收著海的風雨浪。

The artwork site selection- in the east of Shenzhen Bay T7 office building lobby entrance square, faces to the sea and sunshine. Mingzhu Greenland is just across the sea. It is also close to the few remained wetlands after reclamation such as Neihuwan Park and Mangrove Park. It baths in the sunshine of sunup and sunset, sea wind and sea tides.

 

於是,‘衍’成為了這片場域的代言人,它以時光浪子的身份,一端伸向深圳灣這片土地的曆史母體,一端伸向深圳灣超級CBD的城市未來……

Therefore, “Leading Off” becomes the spokesman of this area. As the time prodigal, it links the history matrix of Shenzhen Bay land with the city future of Shenzhen Bay super CBD…

 

‘衍’ LEADING OFF

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

 

飄帶般簡約的弧線,猶如海水的漣漪,聯係著這片海灣,它抽象的動勢,提醒人們不忘過往,不畏將來。

The ribbon-style concise curves look like the sea ripples and link to the bay. Its abstract kinetic mode reminds us not to forget the past and have no fear for the future.

 

∇ 藝術家手稿 Artist Manuscript © AART

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

 

∇ 藝術總監Jeremy與胡棟民藝術家就項目進行探討 Art Director Jeremy discussed with artist Hu Dongmin about the project

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

 

作品長達15.9m,高4m,采用不鏽鋼鍛造 ,考慮臨海環境的鹽堿腐蝕情況在雕塑表麵附貼銀箔。

The length of the piece of work is 15.9m. The height is 4m. It adopts the stainless steel as material. Silver foil is gilded on the statue surface in the light of salinization corrosion of coastal environment.

 

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

 

∇ 安裝現場 installation site

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

 

∇ 落地時刻 大雨驟降 The moment of landing, the rain fell sharply

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

 

∇ 雨過天晴後的‘衍’ After rain

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

 

“在經曆了漫長的創作過程,最終親眼所見藝術品從半空中緩緩落地的時刻,是非常激動人心的。當它安全著地的一刻,每一位項目參與者的心情真就像緊跟著的那場大雨一樣,是如釋重負,是放心,更多的也是為大家努力付出最終得以完滿而感到喜悅。這是一次非常難忘的經曆。” ——AART一間宅執行總監趙英彤

“After a long production process, the moment that sees the artwork landing on the ground from the midair gradually eventually with own eyes is very exciting. When it lands on the ground safely, every project participant feels a sense of relief just like the following heavy rain. And we also feel delightful for the efforts and eventual achievement made by all of us. It is a quite unforgettable experience.” –AART Executive Director Katherine

 

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

 

AART一間宅藝術很榮幸這次能與胡棟民藝術家合作,為鵬瑞深圳灣1號傾力打造T7寫字樓入口藝術品。這是一件贈予海洋的禮物,我們希望人們能在藝術品的啟發下深入對生活環境的關注,嗬護、反哺為城市發展及人類作出奉獻的大自然。

AART is honored to cooperate with artist Hu Dongmin and produce the artwork for Parkland One Shenzhen Bay T7 office building entrance this time. It is a gift for the sea. With the inspiration from the artwork, we hope our human beings could pay further attention to the living environment, protect and nurture the nature which makes contribution to the city development and human beings.

 

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

商業空間,雕塑設計,深圳灣一號,AART一間宅藝術,項目投稿

主要項目信息
項目名稱:深圳灣一號T7寫字樓入口藝術品設計
設計公司:AART一間宅藝術設計
設計主創:胡棟民藝術家
設計團隊:AART一間宅藝術
官網:www.szaart.com
聯係郵箱:yefz@szaart.com
建築麵積:(雕塑體量)長達15.9m,高4m
完成年份:2018
項目位置:廣東深圳南山區後海深圳灣1號T7寫字樓
攝影師:東燁華、拾貳
雕塑材質:不鏽鋼,附貼銀箔
客戶:鵬瑞集團

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