“時間和自然如何裝點鼓嶺,我們便如何裝點樂山。”

 

“相比於脫離空間原有氣質,追求令人眼前一亮的‘先鋒’設計,樂山我們更希望在尊重的前提下,延續自然與時間賦予空間的本真,給予它鮮活的生命力,使之無論未來流行與審美偏向如何變化,皆因其真誠質樸,反而熠熠生輝。”

“Compared with breaking away from the original temperament of space and pursuing only the ‘avant-garde’ design that shines before people’s eyes, we hope that under the premise of respect, we will continue the original state of space given by nature and time and give it stronger vitality. No matter how popular and aesthetic preferences change in the future, it is all because of its sincerity and simplicity.”

 

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“世外桃源”

 

樂山的前身是一棟當地居民房,房齡30餘年。建築主體由石塊及石條構建,經時間洗禮,青苔之下是歲月痕跡,又處在鼓嶺之上,確有“世外桃源”之感。

The predecessor of Party Life is a local residential house, which is more than 30 years old. The main body of the building is constructed of stones and stone strips. After the baptism of time, there are traces of time under the moss . Since it is located on Guling, it really impresses people with a sense of“Shangri-la”.

 

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為更好地了解這棟建築,設計師曾帶上露營裝備和電腦,於宅內餐廳待了四天三夜。

即便民宿如今已營業近一年,他仍清晰記得在那期間的某日清晨,他穿著拖鞋,手持牙杯,蹲在院子裏刷牙的情景:

“抬眼望去,迷霧好像就在眼前,我肉眼可見的看它飄過去。再遠處有梯田,還有無人整理的草地,綠油油地藏在薄霧裏,讓人想起那句:‘青山掩映霧迷蒙,綠水淩波挽朔風’。”

To better understand the building, the designer brought camping equipment and computers and stayed in the restaurant for four days and three nights.

Even though the hostel has been open for more than a year now, he still clearly remembers one morning during that time, wearing slippers and holding a tooth-cup, squatting in the yard to brush his teeth:

“Looking up, the fog seemed to be right in front of me, and I could see it floating by. In the distance, there are terraces and unprepared meadows, and the green ground is hidden in the mist, reminiscent of the verses ‘green hills reflect the fog, green water pulls the wind’. ”

 

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時間與自然賦予這棟建築的美與氣質,令人不忍破壞。因此在做方案時,設計便決定充分尊重空間原有氣場與自然賦予它的獨特條件,做一次時間上的延續和對話。

Time and nature endow the building with beauty and temperament that people cannot bear to destroy. Therefore, when making a plan, the designer decides to fully respect the original aura of the space and the unique conditions given by nature, and make a continuation and dialogue in time. “

 

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“時間最有耐心”

 

這份初衷最終人們從入口跨進咖啡廳那一刻就能從中感受到,因為時間最有耐心,它一日又一日摩挲著廳內的石柱與石牆,三十年光陰足以令其散發悠悠魅力。

This original intention will eventually be felt by people as soon as they step into the coffee shop through the entrance. With the greatest patience, time touches the stone pillars and walls in the hall day after day, and thirty years is enough to make it charming.

所以它們從一開始就俘獲了設計師的心,“看到這兩根石條柱子,你能想象三十年前的工人沒有先進的切割工具,又很努力想把它們切直的樣子。那時的人做事總會有這份執拗、認真、還有珍惜。”

“They captured the heart of the designer from the beginning. “when you see these two stone pillars, you can imagine that the workers 30 years ago did not have advanced cutting tools and tried very hard to cut them straight. “At that time, people always did things with such persistence, seriousness, and care. ”

 

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石牆上三層不同石塊壘砌的痕跡,同樣蘊藏著三十年前父輩們“起厝”的韌勁,“有多少錢辦多少事,一點一點把房子蓋起來”,即使物質匱乏,那一代人也始終努力生活著。

The traces of three different layers of stone blocks on the stone wall also contain the tenacity of the elder generation who built their houses 30 years ago. “Make effort according to your strength, and build the house bit by bit.” even if the material is scarce, that generation has always worked hard to make a living.

麵對擁有如此豐富內涵的結構,設計上選擇了保留。在沒有找到合適的工人之前,不動其分毫,甚至想過如果最終依然無緣遇見,也不能將就,暫時維持其原樣。

In the face of such a rich connotation of the structure, the designer chose to retain. Before finding a suitable worker, he would change it, and even thought that if the righter worker cannot be found, he would never make do with it but keep it as it is for the time being.

幸運的是“緣分”就是妙不可言,當工程進入中後期,麵對這堵功能性還欠缺的牆,就快絕望時,院子迎來一位信步閑逛的大叔。

攀談間意外得知,這堵石牆三十年前就是由他砌成,這讓設計師激動不已,當即邀請已退休大叔“再度出山”,完成石牆的補砌。

Fortunately, “fate” is wonderful. When the project entered the middle and later stage, in the face of wall in lack of functionality, the designer was on the verge of despair and the courtyard ushered in a wandering uncle.

During the conversation, he was surprised to learn that the uncle built the stone wall 30 years ago, which made him so excited and immediately invited the retired uncle to “come out again” to complete the mending of the stone wall.

 

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於是當我們一直在說尊重、保留時,它不再是虛無縹緲的定義,而是以實際實現30年的時空鏈接。也因為具體,這一切變得更加動人。

When we have been talking about respect and reservation, it is no longer an illusory definition, but a 30-year space-time link in practice. Also because of the specific, all this has become more moving.

 

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“空間紐帶”

 

從咖啡廳走向內院,對院子的改造,設計在保留石牆外,隻對院內綠植做了取舍。也保留高大的桂花樹,清理雜亂無章的雜草,在院中鋪上石板與小草。

From the coffee shop to the inner courtyard, the transformation of the courtyard was designed to respect the stone walls, and only made a choice for the green plants in the courtyard. The tall sweet-scented osmanthus trees are kept, disorganized weeds are cleaned up, and slates and grass are paved in the courtyard.

此用意在於院中這片綠其實是貫穿項目所有功能空間的紐帶,咖啡廳、聚會區、客房、餐廳、泳池、外露營區……俯瞰之下,這些獨立空間圍繞著它,和諧連接,形成整齊。

The intention is that the green in the courtyard is actually the link that runs through all the functional spaces of the project, such as coffee shops, gathering areas, guest rooms, restaurants, swimming pools, outdoor camping areas. Overlooking, these independent spaces surround it, connecting harmoniously and forming a whole.

 

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作為一個日常包棟運營,可用於公司團建、親友聚會的空間,如此連接也意在於空間上“包裹”眾人。

無論人們三三兩兩的在咖啡廳下沉圍爐區閑聊,亦或走進溫馨的餐廳就餐,或在院中遊玩…… 這裏處處相通,皆可見眾人身影。設計給你的安全感,一如日常他們給你的一般。

As a daily contracting building operation, it can be used as a space for company group building and gathering of friends and family, Such connection is also intended to “wrap” people in space.

Whether people chatting in the sunken hearth area of the coffee shop by twos and threes, or eating in the warm restaurant, or playing in the courtyard…… It’s a place where you can see people everywhere. The same sense of security they give you every day as like as design thinking.

 

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院內的巧妙設計還在細節處,比如桂花樹下那塊大石頭。

尋常方案是在院中放上桌椅供人休憩,但在本案中,設計師認為處在這樣的環境裏,人們會更喜歡坐在樹下望遠山、等微風、看落葉……

而能與舊牆、老桂花樹相配的,需是同樣擁有時間沉澱由自然造就的大石。

The clever design of the courtyard still lies in the details, such as the big stone under the sweet-scented osmanthus tree.

The usual plan is to put tables and chairs in the courtyard for people to rest, but in this case, the designer thinks that in such an environment, people will prefer to sit under the trees, wait for the breeze, and watch the fallen leaves.

What can match the old wall and the old sweet-scented osmanthus tree is the boulder made by nature over a long period of time.

 

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於是那幾日設計師和業主開著車,帶著師傅,漫山遍野尋大石。

事實證明功夫從不負有心人,大自然也從未讓有心人失望。

So, in those days, the designer and the owner drove cars and took workers to search boulders all over the mountains.

It turns out that everything comes to him who waits, and nature never disappoints him.

 

“一年四季”

 

與桂花樹下那塊大石相同,本案在尊重、延續之餘,自然也有著設計師對生活的獨立感受和理解。

Like the big stone under the sweet-scented osmanthus tree, in addition to respect and continuation, this case also contains the designer’s independent feeling and understanding of life.

如同從院中走向外院,走到天地間,從外感受建築的氣韻與鼓嶺的壯闊時,設計師常被勾起過往外出旅行、露營的記憶。

那是他拋掉生活重荷,享受自然,極為放鬆自由的時刻。他希望能將這份愜意融於本案之中。

When walking from inside courtyard to the outer courtyard, walking under the sun, and feeling the charm of architecture and the grandeur of Guling ,These reminded the designer about the memories of traveling and camping in the past.

It was a moment of great relaxation and freedom for him to leave behind the burdens of life and enjoy nature. He wants to bring that comfort to the this space.

 

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因此走進樂山,人們總會第一時間被外院的巨大遊泳池吸引。它就在四周高大蔥鬱的樹木之間,與自然環境遙相呼應,青翠透亮,波光粼粼。即便還未入池暢遊,就已令人身心舒展。

People are always immediately attracted by the huge swimming pool in the outer courtyard when they inter Leshan party life. It is in the surrounding tall lush trees, echoing the natural environment, green and bright, shimmering. Even before you get into the pool, you’re already relaxing.

 

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植物與流水總能給人帶來熨帖人心的慰藉。

而當夏天遠走,寒冬即將來臨時,設計師相信人們同樣無法拒絕火焰帶來的溫暖。露營篝火區就藏著這樣的心思,設計為人們安排好了一年四季。

Plants and running water always bring soothing comfort to our heart.

When summer is gone and winter is coming, the designer believes that people can’t resist the warmth brought by warm fire. This is the idea about the campfire area, which is arranging by the designer throughout the year.

 

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為保證溫暖時光快樂無憂,設計先解決了篝火的安全問題。

將燒柴區集中在中間,外延有框架隔離、保護,希望如此周全的設計,能讓大家圍坐在一起,安心的享受熱烈篝火。

相信那一刻人們不會隻想著拍照發朋友圈,而是真正靜下心,放下手機,感受當下。

In order to ensure a happy and carefree warm time, the designer first solved the safety problem of the bonfire.

The firewood-burning area is concentrated in the middle, and the extension is isolated and protected by a frame. He hopes that such a comprehensive design will allow everyone to sit together and enjoy a warm bonfire.

He believes that at that moment, people will not just want to take pictures of moments, but really calm down, put down their phones and feel the moment.

 

“節奏”

 

林語堂曾說:“藝術上所有的問題,都是節奏的問題。不管是繪畫、雕刻、建築、音樂,隻要美是運動,每種藝術形式就有隱含的節奏。”

Lin Yutang once said, “all the problems in art are questions of rhythm. Whether it is painting, sculpture, architecture or music, every art form has an implicit rhythm. ”

 

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所以自樂山party life開門迎客這段時間內,人們常說她就像一曲老歌新編。

她有過去能引人共鳴的舊旋律,有設計師自己的情緒,亦是當下人們熟悉的調調。若再細聽,拐角處又常能遇見一個又一個令人驚喜的悅耳音符。

Therefore, since Party Life opened the door to guests, people often say that she is like a newly made old song.

She has an old melody that can resonate with people in the past, contains the designer’s own mood, and a tone that people are familiar with today. However, if you listen carefully, you will meet one pleasant note after another around the corner.

 

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如客房裏質樸而體貼入微的溫馨設計;

The considerate and warmdesign in the guest room.

屋頂石座分布,供人享受鼓嶺寬闊美景;

The stone seats on the roof are distributed forpeople to enjoy the broad beauty of Guling.

 

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從外露營區往深處走去,人們大概想不到那裏還藏著溫泉湯池;

Walking deep from the camping area, people may not expect that there are hot spring soup ponds hidden there.

即使是咖啡廳裏的插花裝飾,設計師也特別建議擇取鼓嶺的自然植物即可。

“時間和自然如何裝點鼓嶺,

我們便如何裝點樂山。”

Even if it is the flower arrangement decoration in the coffee shop, the

designerspeciallyrecommends to use thenatural plants of Guling.“We decorate Party Life

as timeand nature decorateGuling.”

 

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如設計初衷一般,與30年前自然相遇。

As the original intention of this case,

it meets the nature 30 years ago.

 

∇ 庭院 courtyard

酒店設計,酒店設計案例,度假酒店設計,樂山酒店設計,民宿設計,樂山民宿,樂山 party life,平衡空間設計,平衡空間

 

∇ 1F

酒店設計,酒店設計案例,度假酒店設計,樂山酒店設計,民宿設計,樂山民宿,樂山 party life,平衡空間設計,平衡空間

 

∇ 2F

酒店設計,酒店設計案例,度假酒店設計,樂山酒店設計,民宿設計,樂山民宿,樂山 party life,平衡空間設計,平衡空間

 

∇ 屋頂

酒店設計,酒店設計案例,度假酒店設計,樂山酒店設計,民宿設計,樂山民宿,樂山 party life,平衡空間設計,平衡空間

 

項目信息

項目名稱:樂山 party life |福州 鼓嶺
項目麵積:600平方主體+2000平方戶外
設計機構:BALANCE DESIGN平衡空間設計
設計主持:董欣猛
設計團隊:董欣猛、陳英衍、吳巧梅、蘇添財、池清
竣工時間:2022年2月
文案主持:柳蟲子
項目攝影:李迪

Project name:Party Life | Guling, Fuzhou
Project area:600 m²of main body + 2000 m2 of outdoor space
Design organization:BALANCE DESIGN
Design host:Dong Xinmeng
Design team:Dong Xinmeng, Chen Yingyan, Wu Qiaomei, Su Tiancai, Chi Qing
Completion time:February 2022
Copywriter:Liu Chongzi
Project photography:Li Di

 

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