晨沐嵐風，彝然自得
涉曆長亭複短亭，兼旬方抵貴州城。江從白鷺飛邊轉，雲在青山缺處生。
家務每因官事廢，詩篇多向客途成。耕桑盡自無榮辱，卻悔當年事短檠。——（宋）趙希邁，《到貴州》
[ 青山隱隱，水迢迢 ]
[ The green hills are dim and the water is far away ]
《向往的生活》裏說：“一個人如果在物質世界裏陷得越深，看到大自然時就會越覺得壯觀。”
“The Life of Desire” says, “The deeper one sinks into the material world, the more magnificent nature becomes.”
居於都市繁華圍繞，互聯網時代信息流高速運轉，漸漸消弭了工作與生活的邊界。高強度、快節奏的工作狀態，悄無聲息地積攢壓抑情緒；“人情味”日漸淡薄的生活，在後知後覺的漠然中驟地引發情感慌亂。
Surrounded by urban prosperity and the high-speed flow of information in the Internet era, the boundary between work and life has been gradually eliminated. High intensity, fast pace of work, quietly accumulate depression; “Human touch” gradually fading life, after the awareness of the apathy caused sudden emotional panic.
我們渴望排遣，暫離紛擾，援引自然能量療愈己身。民宿，趁著鄉村旅居的漸興悄然發展；寧靜、淡泊、悠閑的自然棲居，透過“慢節奏”形式延續鄉村文化的內在驅動。
We long to disengage, to get away from distractions, to use natural energy to heal ourselves. B&b, taking advantage of the gradual prosperity of rural sojourn quietly development; The quiet, indifferent and leisurely natural dwelling continues the inner drive of rural culture through the form of “slow rhythm”.
駐足四望：青山隱隱，水迢迢；心靈沉浸在自然造化的靈秀間，覓得歸屬……
Stop four look: green hills faint, water is far away; The soul is immersed in the beauty of nature and find a place to belong…
[ 構建，順勢施為 ]
[ Construct, follow the trend ]
基於自建舊民居改造的設計項目，首先要實地考察建築狀態，發現潛藏的隱患。止向設計秉持“在地主義”初衷，由項目既有特點出發，參照所處環境，創設一種人、建築、環境交互平衡的微妙狀態。
Based on the self-built old residential renovation design project, the first thing to investigate the state of the building, to find hidden dangers. The stop-direction design adheres to the original intention of “localism”, starting from the existing characteristics of the project and referring to the local environment, to create a delicate state of interactive balance between people, architecture and environment.
∇ 原始實景圖
尊重原始建築環境，梳理交通動線關係，采用當地原生態材料；聚焦群體，品牌精神和空間體驗的彙歸，促成“現代感”在自然裏應勢而生，不落窠臼。
Respect the original building environment, sort out the relationship between traffic lines, and use local original ecological materials; The convergence of group focus, brand spirit and space experience enables “modern sense” to be born in nature, not in the rut.
∇ 平麵圖
[ 出離，“存在”的體驗 ]
[ The experience of coming out, of being ]
“出離”，既表達某種暫時的擺脫，亦充斥著不被限製的暢快。
王小波寫道：“我來到這個世界，是來看花怎麼開，水怎麼流，太陽怎麼升起，夕陽何時落下。”
“Leaving” not only expresses a temporary escape, but also is full of unrestricted enjoyment.
“I came to this world to see how flowers bloom, how water flows, how the sun rises and when the sun sets,” Wang wrote.
∇ 外立麵
“存在”的體驗，在建築與場地的疊加中，暗合邏輯，依托立麵形態穿插強調體量，並橫向延伸出滲透於環境的交融感。
The experience of “existence”, in the superposition of the building and the site, implied logic, relying on the form of the facade interspersed with the emphasis of the volume, and the horizontal extension of the sense of integration permeated in the environment.
“彝族”農耕文化形成的對山川沃野、一草一木的珍惜之情，擺脫冗繁而以簡括姿態融入生活的平常，和睦共處，流露自然關照。
“Yi” farming culture formed to cherish the mountains, rivers and fertile fields, every grass and tree, to get rid of tedious and simple attitude into the ordinary life, harmonious coexistence, showing natural care.
設計一麵渴望表達；一麵又克製地趨向非再現、抽象、內在的凝練結構。
The design side craves expression; On the one hand, it restrains its tendency towards non-representational, abstract, inner condensed structure.
無論是圓拱、弧曲，亦或是直線的並排與轉承；其互組構建的“麵”，進而創造“體”的三維存在，循著空間邏輯形成交集，各自圍合又彼此關聯。
Whether round arch, arc, or straight side by side and turn; The “surface” constructed by the mutual groups creates the three-dimensional existence of the “body”, and forms the intersection according to the spatial logic, each enclosing and related to each other.
理念對客觀自然環境的適度介入，基於形式、狀態，促成某種可見的承載，牽引情緒漸入漸變，誘發深度的體驗共鳴。
The proper intervention of the idea into the objective natural environment, based on the form and state, contributes to some visible bearing, pulls the emotion gradually into a gradient, and induces deep experience resonance.
[ 蓄勢，沉浸漸入 ]
[ Build up and sink in ]
聚焦“開口”，促成鏈接，貫暢自然脈動——對區域建築而言，“開口部”不僅是必備的功能空間；其兼具的情緒引導功能，經巧妙構建蓄勢連綿，可賦予空間靈性。
Focusing on “openings” to promote links and smooth natural pulsation — for regional architecture, “openings” are not only essential functional space; Its both emotional guidance function, the clever construction of the accumulation of continuous, can give space spirituality.
∇ 接待區 & 前台
前台利落的矩形營造，呼應接待區環形吊頂圍合；架構的兩個獨立又適度交互的區域，勾勒光、影、人、物的適切狀態。
The front desk is neatly rectangular, echoing the ring ceiling of the reception area; The two independent and moderately interactive areas of the architecture outline the appropriate state of light, shadow, people and objects.
某種層麵而言，止向設計創造的不僅是一幢幢相互連接的房子；而是一種慢生活的態度，將經曆的故事娓娓道來。
At some level, directional design creates more than just a cluster of interconnected houses; It is an attitude of slow life, telling the story of the experience.
[ 黑白直曲，動靜相宜 ]
[ Black and white straight, static appropriate ]
“白”，不局限於某一顏色；它內斂地鋪敘空間“可容納”的、“虛”的狀態。
“White” is not limited to a certain color; It introversely expresses the “accommodable” and “virtual” state of space.
∇ 餐廳
“黑”與“白”互構的“單純”空間內，“直”與“曲”的形式被概括、提煉，再鮮明、自由地編排。
水吧區半拱凸出的營造方式，自然而然地成為內聚的視覺焦點；暗示功能指向，呢喃著理念對空間的感性表達。
In the “pure” space of “black” and “white”, the forms of “straight” and “Qu” are summarized and refined, and then arranged in a bright and free way.
The protruding semi-arch of the water bar area naturally becomes the cohesive visual focus; Implying functional direction, mumbling the perceptual expression of the concept to the space.
“動”、“靜”之間的細膩把握，化作一種柔性、舒緩的輕盈邊界——動時明快，靜時恬淡。
“Moving”, “quiet” between the delicate grasp, into a flexible, soothing light boundary – moving bright, quiet quiet.
“自我輸出”的爽朗形式，納自然光滲透、遊弋，造就變幻曖昧的空間交集。
The crisp form of “self-output” allows natural light to penetrate and roam, creating a changing and ambiguous space intersection.
“簡其形，賦其意。”
茶飲的逸趣在細細品味，而非刻意創設；框而借景，幾何架構的秩序排列，利用當代手法致敬古典美學，刻畫空間風骨，靈動靜謐。
“Simplify its form and give it meaning.”
Tea drink in the gentle taste, not deliberately created; Frame and borrow the scene, geometric structure of the order arrangement, the use of contemporary techniques to pay tribute to classical aesthetics, depicting the space character, smart quiet.
∇ 茶室
[ 自然治愈，進落虛實 ]
[ Natural healing, into and out ]
一片自然風景就是一個心靈的境界。自然物象不可捕捉的隨機美感，看似無跡可尋，卻又共同交彙出一種勃勃生機的姿態。
A natural landscape is a realm of the mind. The uncaptured random beauty of natural objects seems to have no trace, but they combine together to create a dynamic attitude.
∇ 公共區域
我們小心地規劃建築的進落虛實，以追求每個視角下，均有建築實體與自然虛體的相互應和。
We carefully planned the flow of the building into the virtual and the solid, in order to pursue the interaction between the architectural entity and the natural virtual body from each perspective.
移步易景，空間留白借隔柵、屏欄，創設清透舒爽的氛圍；晨霧嵐風，綠影闌珊。
Move to easy scenery, space blank borrow grid, screen bar, create a clear and comfortable atmosphere; Morning mist haze wind, green shadow.
[ 毗鄰山石，同水共生 ]
[ Adjacent to the rocks, symbiosis with water ]
物質豐沛的時代，人更偏好簡淡而追尋“無拘”的生活狀態；歸隱山水，重趣味，亦珍視存在及生命本身。
In the age of abundant materials, people prefer a simple and simple life state to pursue “no detention”. Retreat landscape, value interest, but also cherish existence and life itself.
∇ 客房
物質豐沛的時代，人更偏好簡淡而追尋“無拘”的生活狀態。
因此，在客房的場域把握上，止向設計以界麵，圍而不限，無拘通融；由綠植，喚醒生機，悄然生長。
In the age of abundant materials, people prefer a simple and simple life state to pursue “no detention”.
Therefore, in the field of the guest room grasp, stop design to the interface, circumference but not limited, no accommodation; By green plants, wake up the vitality, quietly growing.
手工塗料的顆粒肌理，通過戶外借景促成人對內、外空間交互的接納，自然沉浸其中。
棉、木、藤、麻等天然材料的親切質感，摒棄反複加工的矯揉造作，傳遞恰到好處的隨機美好。
The granular texture of manual paint promotes the interactive acceptance of internal and external space through outdoor borrowing, and natural immersion.
The intimate texture of natural materials such as cotton, wood, rattan and hemp abandons the artificial appearance of repeated processing and delivers just the right random beauty.
自然元素固有痕跡依稀可見，為空間注入野奢、質樸之韻；鄰山石，望水流，悄然融入的形式，避免了刻意為之的做作。
Natural elements inherent traces can be seen, inject wild luxury, simple charm into the space; Adjacent rocks, looking at the water flow, quietly into the form, to avoid deliberate affectation.
用心保留的一絲“老”的印痕，豐富室內氛圍體驗的同時，讓人感受到時間的痕跡彌散在空間裏。
“舊房新生”特有的時光交織的奇妙感，一目了然，卻又細節滿滿；多一縷靜謐，多一絲從容——旅居山間，心自悠然。
A trace of “old” impression is carefully retained to enrich the indoor atmosphere experience, while making people feel the traces of time dispersed in the space.
“Old house New life” unique wonderful sense of time interweaving, clear at a glance, but full of details; More quiet, more calm – living in the mountains, the heart is relaxed.
項目信息
項目名稱｜Riza Resort裏查裏諾民宿
項目地址｜貴州省 • 貴陽市 • 清鎮市 • 紅楓湖
項目類型｜民宿
項目麵積｜5000㎡
項目機構｜止向設計 × 關聰
主案設計｜宋久治 關聰
參與設計｜楊毅 黃永貴 姚輝 周詩怡 陳璐
完工時間｜2021年12月
