以文藝場館驅動城市的更新發展
Driving Urban Renewal and Development Through a Cultural & Art Venue
一、項目地理人文概況
Project Overview: Geography and Culture
中國雕塑學會藝術館坐落於安徽蕪湖市中心神山公園內，是由廢棄花房改造而成的城市更新項目。其所在的蕪湖雕塑公園作為國內首個將雕塑文化與自然景觀有機融合的主題藝術空間，以8.2公頃的廣闊園區，將雕塑藝術（“立體美術”）融入山水意境，形成獨特的城市人文景觀。園內四季景致如畫，與雕塑構建出開放、鮮活的公共藝術界麵，現已成為全國最受市民歡迎的城市雕塑公園。
Nestled in Shenshan Park in the downtown area of Wuhu, Anhui Province, the Art Museum of the China Sculpture Institute is an urban renewal project renovated from a disused greenhouse. Its home, Wuhu Sculpture Park, stands as China’s first thematic art space that organically integrates sculpture culture with natural landscapes. Spanning an expansive 8.2 hectares, the park infuses sculptural art—known as “three-dimensional fine art”—into the poetic scenery of mountains and waters, forging a distinctive urban cultural landscape. Boasting picturesque views across all four seasons, the park creates an open and vibrant public art interface together with the sculptures, and has now emerged as one of the most popular urban sculpture parks among citizens nationwide.
二、在地人文脈絡的轉譯
Translation of Local Cultural Heritage
“鳩茲”為蕪湖古稱，取其“鳩鳥棲水、生機盎然”之意。藝術館以“鳩落水畔”為意象，呼應在地自然曆史基因，並依據中國傳統五行係統，將展區劃分為木、火、土、金、水五大主題板塊。五行學說不僅是物質形態的分類體係，更是一套關於運動、轉化與聯係的認知方式。藝術館以金（斂聚）、木（生長）、水（浸潤）、火（破滅）、土（融合）五態，構築出雕塑與空間相生相應的敘事結構。
“Jiuzi” is the ancient name of Wuhu, signifying “Jiuzi bird perching by the water, brimming with vitality”. Drawing inspiration from the imagery of “Jiuzi bird alighting on the waterfront”, the art museum echoes the local natural and historical heritage. In accordance with the traditional Chinese five-element theory (Wuxing), the exhibition area is divided into five thematic sections corresponding to Wood, Fire, Earth, Metal, and Water. More than a mere classification system for material forms, the five-element theory represents a cognitive framework centered on movement, transformation, and interconnection. The museum adopts the five states embodied by the elements—Metal (convergence), Wood (growth), Water (permeation), Fire (dissolution), and Earth (integration)—to construct a narrative structure where sculptures and space interact and resonate with each other.
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