人們常說的“大隱於市”
其實源於內心對樸素日常的趨往
對東方意境的追溯
People often say “big hidden in the city”
In fact, it stems from the inner desire for simple daily life
A retrospective of oriental artistic conception
“萬物皆有裂縫 那是光進來的地方”
“Everything has cracks. That’s where the light comes in”
當我們第一次接觸MAY MIX時就被他們一絲不苟的態度所觸動，保證顧客在每次到來時的親身與多重感官的體驗是他們創立以來一直堅持的原則與標準。在服務過程中，他們將藝術融入到每一次的動作，從形式到體驗所表達的語義都在向顧客們傳達著一種趨向於生活的藝術，給顧客們帶來一種全新的藝術體驗方式。
When we first came into contact with MAY MIX, we were touched by their meticulous attitude, ensuring that customers have a personal and multi-sensory experience every time they arrive, which is the principle and standard they have adhered to since their establishment. In the service process, they integrate art into every action, from the form to the semantics expressed in the experience are conveying a kind of art tending to life to customers, bringing customers a new way of art experience .
該項目的設計旨在為顧客們帶來一個有“態度”的空間，在當代的時尚的語義環境下重現一種樸實淡雅的氛圍。設計師從材質的角度出發，感官與空間的巧妙組合，將MAY NIX對於美獨有的態度注入到空間的每一寸肌理中。
The project is designed to bring customers a space with an “attitude” that recreates an unpretentious atmosphere in a contemporary, stylish semantic environment. From the point of view of materials, the designer combines the senses and space ingeniously, injecting MAY NIX’s unique attitude towards beauty into every inch of the texture of the space.
Δ 軸測分析圖
01線與藝術
LINE&ARTING
設計理念自傳統中提煉出的東方意境出發，用中飽和度和對比度的橡木、微水泥材質主導空間材質，致敬傳統居所中“木”與“土”的元素。
The design concept starts from the oriental artistic conception extracted from the tradition. Oak and micro-cement materials with medium saturation and contrast are used to dominate the space materials, paying tribute to the elements of “wood” and “earth” in traditional residences.
光影隨著自然的韻律與天然石灰塗料包裹的牆麵肌理交織，散射到空間中變得立體，氛圍愈發柔和，像一位老友，彼此熟悉，隨性真誠。
The light and shadow interweave with the natural rhythm and the texture of the wall wrapped in natural lime paint, diffuse into the space and become three-dimensional, and the atmosphere becomes softer and softer, like an old friend, familiar with each other, casual and sincere.
不去追求流行，也不過度的堆砌設計語彙，甚至於不去追求明亮與飽和。家的氛圍是自然形成的溫柔與溫暖，寂聲且寂色。
Do not pursue fashion, nor excessively pile up design vocabulary, or even pursue brightness and saturation. The atmosphere of the home is the gentleness and warmth formed by nature, quiet and quiet.
02立體的形態
3-DIMENSIONAL FORM
把空間進行切割、重組，呈現出一種分散卻又統一的不確定感，多層次的體塊之間的關係，視線貫穿，空間始終是豐富而又活潑的。
The space is cut and reorganized, showing a sense of uncertainty that is scattered but unified. The relationship between the multi-level blocks, the line of sight runs through, and the space is always rich and lively.
我們在意空間的真實感，因為這於我們是有共鳴的，是熟悉的，安心的；它不是單一的，是立體的，豐富的，是視覺、觸覺、精神、情感和記憶的共鳴，這種共鳴使我們覺得置身其中，一切都是這麼自然而然的存在和發生。
We care about the reality of space, because it resonates with us, is familiar and reassuring; it is not single, it is three-dimensional and rich, it is the resonance of vision, touch, spirit, emotion and memory. The resonance makes us feel that we are in it, that everything exists and happens so naturally.
情感被光包裹的片刻，是我們與外界紛擾的抽離，精神歸於平靜。這是簡單普遍的形式，卻是不可替代的特殊存在。
The moment when our emotions are wrapped in light is our separation from the outside world, and our spirit returns to peace. This is a simple and universal form, but it is an irreplaceable special existence.
跟傳統設計中所講究的美學不同，設計師在這個項目中主張“低飽和色”，呈現一種不對稱卻包容的美。幾何體塊和異形的穿插，再搭配奶咖色，空間絲滑流暢，營造溫柔的治愈感。整個空間開放大氣，去掉不必要的細節和線條，通過空間的巧妙分割，設計師希望讓室內變得有趣而靈動。
Different from the aesthetics emphasized in traditional design, the designer advocates “low-saturation color” in this project, presenting an asymmetric but inclusive beauty. Interspersed with geometric blocks and special shapes, combined with milk coffee color, the space is silky and smooth, creating a gentle sense of healing. The whole space is open and atmospheric, and unnecessary details and lines are removed. Through the ingenious division of space, the designer hopes to make the interior interesting and flexible.
03以大地之名
THE NAME OF THE EARTH
光於我們，絕不止視覺上的明與暗，體感上的冷與暖，它崇高而神聖，卻又親密無間。一天之中的不同時刻，我們似乎都在等待與光接觸的瞬間，這種難以琢磨卻又有跡可循的變化令我們著迷。
The light to us is not only visual light and dark, physical cold and warm, it is sublime and sacred, but intimate. At different times of the day, we seem to be waiting for the moment of contact with the light, and we are fascinated by this elusive yet traceable change.
空間牆頂麵的色係上，設計師普遍采用了大地色係，中性暖色是調色盤中永不過時的經典，溫暖又舒適，優雅又高級。低飽和度的柔和色調，不張揚，不媚俗，它既不像高飽和度的彩色係一樣活潑奔放，也不像黑白那樣簡潔，它呈現的是一種溫暖的，舒適的，平靜優雅的空間，置身於其中可以讓人身心放鬆。
For the color system on the top surface of the space wall, the designer generally adopts the earth color system. The neutral warm color is a timeless classic in the palette, which is warm and comfortable, elegant and high-end. Soft tones with low saturation, not unassuming, not kitsch, it is neither as lively and unrestrained as high-saturation color, nor as simple as black and white, it presents a warm, comfortable, calm and elegant space , you can relax your body and mind when you are in it.
04線條交織
INTERLACING OF LINES
無框的玻璃弱化了室內與戶外自然的邊界與距離，漫步其間，與自然的親密聯結被釋放，使人本能地慢下來，呼吸輕而緩，精神回歸平靜。時間與光影的變換流轉被靜靜地捕捉、記錄，對談耳語間是時間和情感的流動交融。
The frameless glass weakens the boundary and distance between indoor and outdoor nature. During the walk, the intimate connection with nature is released, which makes people instinctively slow down, breathe lightly and slowly, and the spirit returns to calm. The transformation of time and light and shadow is captured and recorded quietly, and the conversation and whisper are the flow and blend of time and emotion.
空間中的體被直線條清晰地雕刻出來，而這些體模糊了空間的界線。我們對空間劃分選擇性地做減法，不被定義的多元空間被體塊構建連結，弱化了具有明確功能的空間單元劃分，流動，通透，坦然。
The volumes in the space are clearly carved by straight lines, and these volumes blur the boundaries of the space. We selectively subtract the space division, and the undefined multi-dimensional spaces are connected by the building blocks, which weakens the division of space units with clear functions, flowing, transparent and calm.
不定義使空間自然而然地衍生出超出自身限製的可能性，簡明卻更豐富。它來源於居者的感知和度量，以及空間與思想達成和諧一致而引發的情感共鳴。
Not defining makes the space naturally derive the possibility beyond its own limitations, concise but richer. It comes from the perception and measurement of the occupants, as well as the emotional resonance caused by the harmony between space and thought.
以入眼細膩的微水泥地麵奠定基本調性，而暖色材料喚起的曖昧性聯想，消除了事物的邊界，空間浮現出一種迷幻氣質。隔而不斷的牆麵，作為空間改造的具體策略，增加了清透感與輕快感，似一片正在延展著的巨大的簾幕。
The basic tonality is established by the delicate micro-cement floor, and the ambiguous association evoked by the warm-colored materials eliminates the boundaries of things, and the space emerges with a psychedelic temperament. The continuous wall, as a specific strategy for space transformation, increases the sense of clarity and lightness, like a huge curtain that is extending.
Δ平麵布置圖 Layout plan
社交媒體以其易傳播性擴大了建築的交流屬性，但實踐過程總伴隨著困難與挑戰。品牌在介紹其理念時說“每一棵植物能在自己的每一粒種子中再度萌發”，但願我們的工作也能把永續利用的環保觀念，重新帶回到每個人的日常生活中。
Social media has expanded the communication properties of architecture with its easy dissemination, but the practice process is always accompanied by difficulties and challenges. When the brand introduced its concept, it said that “every plant can germinate in every seed of its own”. I hope our work can also bring the concept of sustainable use of environmental protection back to everyone’s daily life. .
距離現實僅僅五步之遙，我們穿梭在未來與過去，驚喜與想象不斷更替的感官空間，把不同的消費業態融合於一體，予以觀者跳脫真實的異想空間。
Only five steps away from reality, we shuttle in the future and the past, the sensory space where surprise and imagination are constantly changing, and integrate different consumption formats into one, allowing the viewer to escape from the real whimsical space.
項目信息
案設計師/孟飛
Lead Designer/Meng Fei
燈光設計/三宜·想天照明
Lighting design/SANTAN
項目位置/山西·運城
Location/Yuncheng, Shanxi Province
項目麵積/110m²
項目麵積/m²ea /110m²
項目類型/商業空間
Project Type/Commercial space
攝影/RICCI空間攝影、雙備
Photography/Ricci spatial photography,Shuangbei
