海墁設計 | 蘇州汐留屋私湯臨湖民宿-設計風向

“西山西岸，東方偏東”太湖西山，每次登島都逢陰雨天，很慶幸能感受到五百多年前沈石田筆下《西山雨觀》的情境，並能在此處留下自己的職業印記。

“The west bank of the West Mountain,east to the east”. Every time I go to the West Mountain of Taihu Lake, it’s always cloudy and rainy. I’m glad to feel the scene of Shen Shitian’s “View of the Rain in the West Mountain” more than 500 years ago, and leaved my professional mark here.

背靠橫山，麵朝太湖的汐留屋私湯民宿。這個看似東洋的主題恰好提供一個契機角度為它尋根溯源，找尋藝術背後的千絲萬縷。

The Xiliuwu private soup B&B is back against the Hengshan Mountain and facing Taihu Lake. This seemingly Orient theme provides an opportunity to get to the root of it and find out what lies behind the art.

自然的，文脈的延續及融合，共生出東方概念下的棲居邸舍。

Natural, cultural context of the continuation and integration, symbiosis under the concept of the Oriental residence.

這組照片是首次過來時屋主留給我們的建築形態。早春又恰逢陰雨，隻顧看山聽浪的我已全然忘記身邊的殘垣斷壁。幾番交談後，屋主我便對目前的民宿業態有著一致默契的見解，不去觸碰已知狀態下的網紅時尚。對於民宿這種需要長期經營和打磨的商業形態。“當下的時尚”–我的主觀理解就是不具生命力的過時。

These pictures are the architectural forms given to us by the owner when we first came here. Early spring coincides with the rain, just looking at the mountains and listening to the waves I have completely forgotten the ruins of the side. After a few conversations, the owner and I came to a tacit understanding of the current state of the B&B business, not to touch the known state of the Internet celebrity fashion. For B&B, a business form that needs long-term operation and polishing. “Current fashion” — my subjective understanding is that it is out of date.

∇ 原始建築

∇ 項目區位

“凝神靜思，意在筆前。”王右軍習字如此，設計已然相同。兩周的考察和探討後，我們給出的設想是讓客人在湖光山色的環境中怎麼才能真正的進入“悠然自得”的放鬆狀態。“私湯”和“茶道”的概念呼之欲出。意已出，可下筆。

“Concentrate and meditate, work out the plot before putting pen to paper.” The same is true of Wang Youjun’s calligraphy and design. After two weeks of investigation and discussion, we came up with the idea of how guests can truly enter the “relaxed” state in the lake and mountain environment. The concept of “B&B” and “tea ceremony” came to mind. The intention has been expressed, than can write.

∇ 原始一層平麵圖&二層平麵圖

90年代的傳統農村磚混結構建築，再加上設計前的建築的主體已經整改過一次，所以結構改造難度非常之大。設計的前期平麵布局必須另辟蹊徑。

The traditional rural brick and concrete structure building in the 1990s, plus the main body of the building before design has been rectified once, so the structural transformation is very difficult. The preliminary layout of the design must be developed in a different way.

∇ 一層平麵圖

我曾無數次的在江南園林中漫遊，在入口通幽踏入建築屋簷下的高低落差處自然的想到“雲步”的概念，作為數丈外後山餘脈的延續，即解決了功能問題也賦予它自然的意向。

I have wandered in Jiangnan Gardens for countless times, and naturally thought of the concept of “cloud walk” at the height of the drop between the entrance and the eaves of the building. As a continuation of the mountains several feet away, it not only solves the functional problem but also gives it natural intention.

“植黃山鬆柏、古梅、美竹,收之圓窗,宛然鏡遊也”–《園冶》。借太湖縹緲峰煙波層浪之景論茶道。

“Planting Yellow Mountain pine and cypress, ancient plum trees, beautiful bamboos, and the round windows, like a mirror tour” — Garden Ye. Talk about the tea ceremony by taking advantage of the misty peaks of Taihu Lake.

藉以粉牆為紙,以石為繪。記不得從何時起在每個設計案例中總會加入一幅不同形態的《竹石圖》

So the wall for paper, stone for painting. I can’t remember when a different form of “bamboo stone” was added to every design case.

茶室的小門，像一個洞口，其講究在於這個小門有個名字叫躪口。是客人專用的茶室出入口，在此必須彎腰屈膝進入。這是千利休的設計。至此平等與謙卑的洞口進入也意味著客人由紛擾的世俗社會進入了烏托邦式的茶道境界。

The small door of the house looks like a hole in the mouth, The key is that the door called Linkou. It is the only entrance to the tea house for guests,you must stoop to enter here.This is Cheon Rikyu’s design. This entrance of equality and humility also means that the guests from the chaotic secular society into the utopia realm of tea ceremony.

汐留屋的“星空” 設計之外的意外，這座剛剛建好的登島長橋恰恰支撐了主題文脈的延續和融合，它如果用藝術的形式表現，那麼純正東方和偏東的東方再到西方就有了實際的參照。所以多點文化自信，外國的月亮有可能是從中國轉過去的。

In addition to the design of the “starry sky”, the newly built long bridge just supports the continuation and integration of the theme context. If it is expressed in the form of art, then the pure east and the eastern east will have practical references to the west. So with more cultural confidence, the foreign moon may turn away from China.

∇ 織田一磨《漁師圖》

∇ 梵高《星空》

《竹禽圖》和靠背絲錦紋樣的傳襲皆可找到溯源。

“Bamboo Bird picture” and the back of the silk brocade pattern attack can be traced back.

∇ 二層平麵圖

逃離城市後才發現晴天的傍晚，夕陽並不是罕見的景象。那些心曠神怡觸手可得。

Sunset is not an uncommon sight on a sunny evening after escaping the city. Those who feel comfortable are at your fingertips.

又一幅開窗破洞後的散點透視長卷青綠山水。

Another picture of scattered perspective after opening the window and breaking the hole, a long scroll of green landscape.

∇ 閣樓平麵圖

“衡門之下,可以棲遲。泌之洋洋,可以樂饑。”是淡淡的、愀然的意境。意境之中，天地空闊，橫斜的水影、稀疏的木葉，似乎能使人看見風——看，還是看，但僅僅是看還不夠，還要脫離世俗的趣味，去到禪意之中。

“Under the Heng Gate, you can stay late. You can enjoy your hunger when you secrete.” It is a light and sad mood. In the artistic conception, the empty world, the horizontal water shadow, the sparse leaves, it seems that people can see the wind — see, see, but just see is not enough, and they should break away from the secular interest and go to Zen.